Photographer Marcelo Ribeiro Filho presents their “cinematographic montage” of Brasil and its rolling landscapes.

“The images without treatment or with almost no alterations are gathered in a space-time, procedure marked by cinema that privileges image and sound. Without ambition to create a homogeneous narrative the film is a set of images made during a Sunday afternoon.

First comes the sun, then comes the rain. The airport is the face of a region that believe on distance with the world. It's the way of this place to leave things as they are."